Here Bejart uses the extreme sensuality of Tchaikovsky's music better than anyone has, to my knowledge. Why must everyone choreograph birds or harem dancers to this? This music is sexy and Bejart ramps that up with his work, leaving one feeling slightly dirty for having wathed yet there is nothing sexual happening. It's all very implied and to create implied and uncomfortable sexuality out of The Nutcracker ranks up there with turning water into wine, if you ask me.
why
I was 6...or something...when I first started running around on a shag carpet under a blue light with my father dancing to The Firebird and The Rite of Spring. I would pretend I was a ballerina but I was a weird little girl and something tells me everything was coming out like Nijinsky's Le Sacre du Printemps - knock knees and crooked -because when I saw the reconstruction of that lost tragedy, that holy grail of dance, that shame upon 1913 society, I remembered, as if stunned by it, the awkward beauty of dance and the dissonance of the music that breathes into the bodies that create it.
Saturday, December 3, 2011
Maurice Bejart Turns Water Into Wine
In keeping with the holiday season - no it's not the god damn Balanchine Nutcracker- here is my favorite work ever done to that small Nutcracker segment, "The Arabian Dance" by choreographer Maurice Bejart who I slam somewhere in this blog for his abominable work to Le Sacre du Printemps. Those of you who have never read here - and considering I don't write much anymore it should be a substantial amount - know that I am almost elitist about the Nijinsky choreography to the Stravinsky masterpiece but I digress as I generally do whenever the opportunity to talk about Le Sacre presents itself.
Subscribe to:
Post Comments (Atom)
2 comments:
Are you returning anytime soon? I love your blog. All of them actually. Smart, concise and really funny.
I recommend going to loc.gov (library of Congress) and searching for Ballets Russes. Enjoy the exhibition.
Dave
Post a Comment